Coen and No Country for Old Men
AdventureMan and I watched No Country for Old Men last night, and oh! it held us on the edge of our chairs. At the end, we ran for the phone to call our son and ask “Whoa! What happened??”
In short, we loved the movie (and I can hardly wait to read the book, although Cormac McCarthy goes a lot darker than I care to go). The Coen brothers also go darker than I care to go, but we find ourselves drawn to their movies because there is so much thought put into them, so many references to other genres, other films, and because the characters are so true to life. We first met them in Fargo, a movie we pull out and watch again from year to year - that’s a rare movie. We love the characters, even the bad guys are so human.
It’s the same in No Country for Old Men. Set in the desolation of West Texas, there are whole minutes when you listen to the wind whistling in the desert as the hero hikes down to a drug-exchange-gone-bad.
There is a good guy, a sherif played by craggy-faced Tommy Lee Jones, and an ordinary guy who finds a whole lot of money, and we really want him to get away with it, and then there is a really really bad guy, who is also smart, and . . . well, something inside of him is just bent. He’s not right. The Coen’s have a way of making him both appalling and just a guy doing his job very well. It’s not personal, but we wish he wouldn’t enjoy inflicting harm so much.
What I love about the Coen films is that they can capture the essence of a character so sparely, with just a few words, a few lines. There is a trailer park manager who refuses to give the very very bad guy an address. You hold your breath; she could get blown away, she doesn’t know it. She holds firm. In another scene, an older woman tells a Mexican man who has just helped her “You don’t see too many Mexicans in suits.” So so so politically incorrect, and so ordinarily normal, the plain-spokeness of the elderly. The Coen’s capture the West Texas-ness which permeates the film.
This movie is worth watching again.





















