I took a wonderful photo at Easter, wonderful because I have the same exact photo at the same exact age of my son, holding up his Easter Egg exactly (or, oh pardon me, I can’t resist, eggsactly) the same way. There are just some little things that make a Grandmama’s (and Mama’s) heart sing
Because AdventureMan has worked so hard with him, little Q has been moved up to a more advanced class, and we are all excited about that. I know there are some who prefer to be the BEST in their group, but we always learn and achieve more when surrounded by people a little more accomplished and skilled than we are. We are happy he will be pushing himself to be a really GOOD swimmer!
When we pick Q up at school, all his little school friends say “Q – your BaBa is here!” LOL @ all these little kids speaking Arabic!
Congratulations to all our Qatari friends and greetings on your National Day, December 18, 2012. One of my new favorite sources of information out of Doha, the Doha News, has published a great article, Everything You Need to Know About Qatar’s National Day 2012, which you can access by clicking on the blue type.
Sorry for laughing, but this year they have forbidden people to decorate their cars and some of the displays common on National Day. Good luck with that!
National Day in Qatar might be a lot of fun, if it weren’t for the crowds, and the grid-locked streets. If you want to watch the fireworks – and they are truly fabulous, the Amir and his supporters spare no expense, it is truly bread and circus time in Qatar – you just have to grit your teeth and buy into getting through all the traffic to a viewing site.
We found a great – and relatively remote – site from which to watch, us and our 300 closest Qatari friends, over at the Marriott marina; it was a great view, and only maybe two hours trying to get home afterwards, LOL, fighting our way through the party-SUVs with their foam sprays and their decor, and young Qatari males dancing on the top of the SUVs, yes, they did, I am not kidding.
LONDON — A female judo fighter from Saudi Arabia will be allowed to compete in the Olympics wearing a form of headscarf after a compromise was reached that respects the “cultural sensitivity” of the Muslim kingdom.
Judo officials had previously said they would not let Wojdan Ali Seraj Abdulrahim Shahrkhani compete in a headscarf because it was against the principles of the sport and raised safety concerns.
But an agreement was reached after several days of IOC-brokered talks between the International Judo Federation and the Saudi Olympic Committee that clears the way for her to compete Friday in the heavyweight division.
“They have a solution that works for both parties, all parties involved,’” International Olympic Committee spokesman Mark Adams said. “The athlete will compete.”
The agreement was later formally announced in a joint statement by the judo federation and the Saudi committee.
“Working with the IOC, a proposal was approved by all parties,” the statement said. “The solution agreed guarantees a good balance between safety and cultural considerations.”
Ali Seraj Abdulrahim Shahrkhani, the judoka’s father, declined to describe what changes – if any – will be made to his daughter’s head cover for the competition.
He told The Associated Press his daughter has been training with women at a special facility in London for an hour and a half every day since she arrived with her parents and her brother. Shahrkhani said his daughter, who has a blue belt in judo, is preparing for Friday’s fight in seclusion.
“It’s her first time in competition and it’s the Olympic Games, so she is focused on that,” Shahrkhani said.
Saudi Arabia, which had never sent female athletes to the Olympics before, brought its two first female Olympians to London on condition they adhere to the kingdom’s Islamic traditions, including wearing a headscarf.
Shahrkhani’s participation was thrown into doubt last week when judo officials said a headscarf could be dangerous because of chokeholds and aggressive grabbing techniques.
Without giving precise details, Adams said the headscarf agreement is in line with Asian judo rules and is “safety compliant but allows for cultural sensitivity.’”
“In Asia, judo is a common practice so they asked for something that would be compliant with that, and the judo federations have reached a compromise that both are happy with,” he said.
Asian judo federations have previously allowed Muslim women to wear the headscarf, known as a hijab, during major competitions. Headscarves are allowed in taekwondo, but taekwondo fighters also wear a headguard, which covers the headscarf.
Shahrkhani may be the first judoka to fight at the Olympics who does not hold a black belt in judo, a Japanese martial art. She did not qualify for her Olympic spot like most of the other judo fighters. The IOC extended a special invitation for her to compete as part of negotiations to bring Saudi women to the Olympics for the first time. The other Saudi female athlete to compete in London is 19-year-old Sarah Attar, a California-based 800-meter runner.
Saudi Arabia, Qatar and Brunei had been the only three countries that had never fielded female Olympians in their teams. With all three now including women, these are the first Olympics in which every competing nation – 205 – is represented by female competitors.
“Our aim is that we want to have women from all national Olympic committees competing in the games,” Adams said. “Clearly one of those that is new is Saudi. We want to make sure we give a maximum chance for women from every NOC to take part in the games.”
The National Commission for Museums and Monuments, the governmental body in Nigeria that regulates the nation’s museum systems, is demanding the return of 32 artifacts recently acquired by the Museum of Fine Art in Boston. Consisting of various bronze and ivory sculptures looted during the Benin Massacre of 1897, the Director-General of the commission, Yusuf Abdallah Usman, states that the pieces were illegally taken by the British Expedition as spoils of war.
The MFA in Boston acquired the pieces last month as a gift from New York banker and collector Robert Owen Lehman, who purchased the Benin pieces in the 1950s and 1970s. But the pieces were originally looted by British soldiers in the late 1890s, following the Benin massacre of 1897. In a statement made by Usman, the commission stated: “Without mincing words, these artworks are heirlooms of the great people of the Benin Kingdom and Nigeria generally. They form part of the history of the people. The gap created by this senseless exploitation is causing our people, untold anguish, discomfort and disillusionment.”
According to Huffington Post blogger and Princeton art history professorChika Okeke-Agulu, the laws governing cultural heritage in the United States are lenient toward museums holding works like those from the Benin Court. Commenting on the ethical imperatives associated with the looted art acquisitions, he has stated that “calls for the resolution of the problem caused by British looters of Benin royal art collection will not go away — especially now that Nigerian/world-citizen voices have learned to harness the popular power of the Internet to demand action.”
Older than the pyramids . . . desert find in Syria
A mystery city lies in Syria’s deserts, one older than the pyramids — but the war-torn area is preventing archaeologists from decoding its riddles.
Fragments of stone tools, stone circles and lines on the ground, and even evidence of tombs appear to lie in the desert near the ancient monastery of Deir Mar Musa, 50 miles north of Damascus, archaeologist Robert Mason of the Royal Ontario Museum said. He likened the formations to “Syria’s Stonehenge.”
“What it looked like was a landscape for the dead and not for the living,” Mason said Wednesday during a presentation at Harvard University’s Semitic Museum, according to the University publication the Harvard Gazette.
He made the find during a 2009 trip and is eager to return and further explore the site. But he says regional conflicts make such a return trip nearly impossible.
“It’s something that needs more work and I don’t know if that’s ever going to happen.”
‘What it looked like was a landscape for the dead and not for the living.’
- Archaeologist Robert Mason
The monastery itself, also called the Monastery of Saint Moses the Abyssinian, was built in the late 4th or early 5th century, he said, and contains several frescoes from the 11th and 12th century depicting Christian saints and Judgment Day. He told the audience at Harvard that he believes it was originally a Roman watchtower, partially destroyed by an earthquake and rebuilt.
But the desert puzzle is much older.
Bits of tools Mason found nearby suggest the mystery he discovered in the desert is much older than the monastery. It may date to the Neolithic Period or early Bronze Age, 6,000 to 10,000 years ago, the Gazette said.
Egypt’s oldest pyramid, the Great Pyramid of Giza, was built about 4,500 years ago.
Mason also saw corral-like stone formations called “desert kites,” which would have been used to trap gazelles and other animals. The desert around the monastery is hardly a verdant pasture — “very scenic, if you like rocks,” Mason reportedly said — but was probably greener a few millennia ago, the archaeologist explained.
Like Indiana Jones exploring Italy’s museums in “The Last Crusade,” Mason hopes to return to the monastery to excavate under the church’s main altar — he believes he’ll find an entrance to underground tombs there.
He also hopes to return to strange stone formations he found in the desert, which he dubbed “Syria’s Stonehenge.”